tag:blogger.com,1999:blog-8706607912742642133.post2491524100453469922..comments2024-03-23T12:31:38.129+01:00Comments on The Linosaurus: Around Antwerpen School of Print Making (II)Gerriehttp://www.blogger.com/profile/01985746967465520617noreply@blogger.comBlogger14125tag:blogger.com,1999:blog-8706607912742642133.post-12598402038637077862012-07-31T09:25:13.399+02:002012-07-31T09:25:13.399+02:00Beste Peter Wie had dat kunnen denken ? Contacteer...Beste Peter Wie had dat kunnen denken ? Contacteer mij a.u.b. op g.caspers@hccnet.nl want op commentaren kan ik niet anders dan hier reageren en je email adres is onzichtbaar.Gerriehttps://www.blogger.com/profile/01985746967465520617noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-90728977676430898192012-07-31T08:48:21.006+02:002012-07-31T08:48:21.006+02:00Beste Gerrie,
Bij toeval kom ik op je blog na het...Beste Gerrie,<br /><br />Bij toeval kom ik op je blog na het google-en van mijn overgrootvader Pellens Eduardus. De familie en ikzelf bezitten een deel van zijn werk en ook foto's van hem in zijn atelier. Ik ben zelf een absolute cultuur-barbaar, maar ik ben wel zinnens mijn te weinig gekende voorvader op de kaart te zetten. Ik dacht in eerste instantie aan een vermelding op Wikipedia en later eventueel een vernissage en zelfs aansturen op een straatnaam in Antwerpen. Maar zoals ik al zei ben ik absoluut onbekend in dat wereldje en heb ik bovendien erg weinig tijd. Mocht jij ideeën hebben of whatsoever hoor ik dat graag. Met vriendelijke groet.<br />Peter (Severyns)Severyns Peterhttps://www.blogger.com/profile/00016623157917511750noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-15303346374411784502011-12-21T11:10:21.380+01:002011-12-21T11:10:21.380+01:00Dank je Guy, ik zou ze graag zien. Email onder con...Dank je Guy, ik zou ze graag zien. Email onder contactGerriehttps://www.blogger.com/profile/01985746967465520617noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-20571828190632944812011-12-21T11:08:45.716+01:002011-12-21T11:08:45.716+01:00Hello
Goede site.
Grote fan van E. Pellens
ik besc...Hello<br />Goede site.<br />Grote fan van E. Pellens<br />ik beschik enkele prachtige ex librissen van hem<br />en zijn leerling Jos Hendrickx<br />gr<br />guyAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-49901861363616018912011-12-19T12:32:55.245+01:002011-12-19T12:32:55.245+01:00Yes that's exactly the point. I'll make a ...Yes that's exactly the point. I'll make a reference to your remarks in part III and try even more avoiding any scholarly resemblance or pretentions. Thanks.Gerriehttps://www.blogger.com/profile/01985746967465520617noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-313104390400187132011-12-18T23:45:29.822+01:002011-12-18T23:45:29.822+01:00You just have to buy these things when and where y...You just have to buy these things when and where you see them and it can take years to build up a good library of catalogues etc. Visiting museums and galleries is a must. Either you buy the catalogue there and then or you pick up old ones of interest. It's either that or libraries. I just buy anything relevant on British printmaking that I see - and that isn't much. There is also Bookfinder as you know but old printed material is becoming pricey. <br /><br />Having said that I've just researched someone today online and within an hour I had turned up more reliable information than any of the dealers had. I found their sources and new ones. But you can't rely on that. You know what I mean.<br /><br />Me? I am visiting the British Library on 4th February.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-30186197891190872602011-12-17T22:25:15.696+01:002011-12-17T22:25:15.696+01:00You are absolutely right Charles and I'm quite...You are absolutely right Charles and I'm quite aware. I also agree with you: the only trustworthy and verifiable information is of the written and published sort. But I wish I had acces or even some knowledge of these (text)books. Where to find them I mean. I am quite aware my blogging efforts are merely a condensation of my mental travels, thoughts and learning proces. Superficially tying some superficial information. Not more. Thanks !Gerriehttps://www.blogger.com/profile/01985746967465520617noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-70458236964048652662011-12-17T12:30:42.751+01:002011-12-17T12:30:42.751+01:00Not really true. People have done research and pub...Not really true. People have done research and published books, articles, introductions, catalogues etc on lesser known graphic artists but they are not available online. Alot of the best information is still printed and any commentary that relies only on internet sources will be at best superficial.<br /><br />CharlesAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-39758580191422503292011-12-17T09:52:03.439+01:002011-12-17T09:52:03.439+01:00It is surprising that the subject(grafic schools) ...It is surprising that the subject(grafic schools) never been subject of a thesis or otherwise scolarly investigation. It's indeed just the bits and pieces excavated from the www that's making up the picture. And a few people commenting with a greater insight.Gerriehttps://www.blogger.com/profile/01985746967465520617noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-31747776260362230192011-12-16T23:10:50.663+01:002011-12-16T23:10:50.663+01:00If I knew any more, I might be posting myself. You...If I knew any more, I might be posting myself. You can't find this kind of information online unless you're very lucky. You have to got to printed sources, records etc in a scholarly way No one knows what the picture is.<br /><br />CGCAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-38980602338002120212011-12-16T20:48:40.063+01:002011-12-16T20:48:40.063+01:00Would I like to know the names of the artists... a...Would I like to know the names of the artists... and see what they did with it. In France and possibly in Belgium. I know some British, and Walter J. Philips. But he started doing it (printmaking in the Urushibara technique after 1917 (so I read). Please fill me in before epsidode III. GerrieGerriehttps://www.blogger.com/profile/01985746967465520617noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-35638995213443875592011-12-16T19:54:39.296+01:002011-12-16T19:54:39.296+01:00Urushibara's work in in Europe was at first de...Urushibara's work in in Europe was at first demonstration of the Japanese technique, so visiting Antwerp would make sense. He certainly worked with French artists in the way he did with Brangwyn.<br /><br />CharlesAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-76566763869670570872011-12-16T08:27:44.701+01:002011-12-16T08:27:44.701+01:00I meant to say that supposedly U. has payed a visi...I meant to say that supposedly U. has payed a visit, or visits to studio Pellens. As a quest or tutor not as a student. Brangwyn having strong connections with Belgium ofcourse. I have no idea how (which route) they travelled from LOndon those days but Antwerpen would be no detour. I would like to compare the importancy of Antwerpen and Paris schools but I can only find (some) facts about Antwerpen. There's so much more I would like to know. Thanks for the wise words and support.Gerriehttps://www.blogger.com/profile/01985746967465520617noreply@blogger.comtag:blogger.com,1999:blog-8706607912742642133.post-21408634565539056762011-12-16T04:41:28.329+01:002011-12-16T04:41:28.329+01:00I have to say I am doubtful about your comments on...I have to say I am doubtful about your comments on Urushibara. He was already a highly skilled woodblock maker when he arrived in Europe - that's why they sent him - and had learned to combine engraving and cutting in Japan. But the similarities between British and other European wood-engravers before about 1914 are interesting. They didn't really begin to diverge untill Noel Rooke took over at the Central School about 1910 and British engravers began to look at their own traditions again.<br /><br />CharlesAnonymousnoreply@blogger.com