Showing posts with label German expresionism. Show all posts
Showing posts with label German expresionism. Show all posts

Saturday, 13 September 2014

Siegward Sprotte: Emil Orliks last student ?

Siegward Sprotte
(Potsdam 1913 - 2004 Isle of Sylt)

German painter and printmaker. 



Landing on the Isle of Sylt in before posting with Charlotte Hilmer I encountered Siegward Sprotte who moved to the island in 1945 to stay, living and working until his death 10 years ago in 2004. In a German auction house archive I've discovered a woodblock print by him. Uncomplicated but effectively showing of the islands' features, the high dunes, created in 1952 and another copy with I think, a by hand and not by block, added blue in 1953.


Sprotte had been studying in Berlin from 1920 as a student of Karl Hagemeier (1848-1933) whom's master student he became in 1932. A year later his teacher died. But I learned he'd also attended classes with Emil Orlik (1870-1933) in 1932. Within the year he would lose that teacher as well. 



Orlik in his career had seen many, many hundreds of students and Sprotte must have been among his last. Sprotte all his life painted his island, gradually shifting to a more and more very personal, abstract and colorful style. 





In the early twentieth century Sylt attracted many artists and among them was Emil Nolde (1867-1956). He finished this famous and much discussed and praised painting "Badende" (bathers) on the island in 1930 when he was in his 60's. 



Nolde lived close-by on the mainland in the Schleswick-Holstein village of Seebüll on the Danish border in summer, painting the flowers in his garden and so did Sprotte.  In winter Nolde, a much celebrated artist, resided in Berlin. 




Garden flowers by Sprotte and by Nolde.

In the same area, North of Hamburg, is living and working one of my contemporary printmaking heroes: Klaus Fussmann (b.1938) who was born when the men above already were accomplished artists. Fussmann's extraordinary prints (landscape and also flowers, like Nolde and Sprotte) and his more recent paintings will feature in postings to come but here're are examples of both media that I've found related to the seas surrounding province Schleswick (Ostsee/Baltic) and the isle of Sylt (Nordsee/Northsea) and the artist's garden.  

       




All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.

Tuesday, 10 April 2012

More Bathers, Badende (2/3)

More Bathers (Badende) in print (2/3)


Following Emil Ganso's “Bathers” (L, posting march-24) and my stream of consciousness here are some more examples and variations on a theme. In a similar arrangement John Buckland-Wright's (1897-1954) composition (R). 
Stephen J. Laurent (cont.)

"Badende" has in German a both singular and plural meaning. Limiting the vast number of works showing a bathing woman and bathing women depicted in art-in-general this posting is limited showing examples of multiple bathing females shown by printmakers. Starting with examples by German printmakers. 
German expressionist printmakers Erich Heckel (1883-1970), Otto Müller (1874-1930), Ernst Ludwig Kirchner (1880-1938) and Max Pechstein (1881-1955) dedicated much of their lives and work to "Badende" prints both in color as in black and white. Others more incidentally turned to this theme like Karl Schmidt-Rottluff (1884-1976) and Emil Nolde.

 Erich Heckel
Otto Müller 
 Ernst Ludwig Kirchner 

Max Pechstein
This particular theme, “bathers”, a mix of mythical Three Graces: Aglaya, Euphrosyne and Thalya devoted to Charm, Virtue, Beauty and Creativity,  and Nymphs: the divine spirits. Added to the idealised by men (how many of them actually have ever whitnessed such a gathering of women?) aesthetic beauty of female nudity in an arcadial setting and multiplied by 3.
Ernst Ludwig Kirchner (L.),  Karl Schmidt-Rottluff (R.)
One of the very few exceptions is made by Max Liebermann (1847-1935) who earlier (in the last years of 19th century) created his controversial and thought homo erotical etchings and paintings of bathing boys. An opinion we now consider phobic and pathetic of course. They are what they are. And great works of art.   
Alfredo Müller (1869-1939) who besides women must have had a great  admiration for Rembrandt.
 Hans Juchser (1894-1977)

The list of examples is sheer endless of course, these examples a personal choice. 
ADDED: 16 April 2012


German reader Michael Kriegeskorte send me this unsigned and not monogrammed expressionist "Badende" print. Please help with identification (possibly Walther Klemm ?)