Eduard David Einschlag

Eduard David Einschlag

German impressionist painter, etcher and printmaker 

(1879 - murdered 1943 in Treblinka)

Stumbling over a picture in the www. lead me to Neil's "Adventures in the print trade". As many times before Neil already investigated and covered this artist. 

But since he discussed just a single example, the one etching in which the artist  supposedly depicts his wife, I considered it a good idea looking somewhat deeper into the life and works of this obscured artist. Because he was of Polish-Jewish descent he, along with most of his family, wife and sisters, was deported to the Warsaw ghetto in 1938 and was murdered in the hell of Treblinka probably around 1943.

Eduard was born in Leipzig to the merchant ("Kaufmann") Joseph Einschlag and his wife Dorothea Armhaus. He had an older brother Martin (*1877, the only member of the Einschlag family to survive the holocaust) and two younger sisters Wanda (*1883) and Hedwig (*1890) who were like Eduard deported to Warsaw, perished, and killed around 1943, but nobody knows for sure. 

His artistic talent was recognized at an early age and young Eduard went to study in Munich under Peter (von) Halm (1854-1923) one of the leading 19th century German etchers and where at that time Vasily Kandinsky created an artistic revolution. Later he continued his studies in Berlin where the 3 celebrated impressionist painters Max Slevogt, Max Liebermann and Lovis Corinth were at the height of their careers and taught at the Berlin Art Akademie.

In London Eduard painted not only the Houses of Parliament but also Charles Dickens "Old Curiosity Shop" at Portsmouth Street. Many of Einschlag's works I found are collected in the local Leipzig Museum (Stadtgeschichtliches Museum).  

In Berlin, from 1901 onward, his teacher at the etching press was Karl Köpping  (1848-1915) the leading Rembrandt copyist and celebrated etcher. In 1912 Einschlag returned to Leipzig to settle and to marry Louise Victoria Croner (*1883)

This Rembrandt self portrait, attributed not to Rembrandt but to a "follower of"  is in the Leipzig Museum collections and Wilhelm von Bode, to whom this print was dedicated, at that time in 1915 was "Geheimrat". I think the honorary title,  is best translated as curator.

Of this Rembrandt copy (above), although I tried hard,  I failed to find its original. 

In 1910 he studied in Paris, where in the same year Pablo Picasso and George Braque revolutionized the Art World and from that time his admiration for Degas, the impressionist painter, also is eminent in this bathing girl. 

Einschlag was regarded the most celebrated artists of Leipzig in the 1920-30's and was intimately known and loved by the artistic and scolarly circles portraying many of its members in oil and etching.

He is regarded as an impressionist painter although he became mostly obscured and forgotten after the war, considered one of the best etchers of his time. 

And to my surprise he also tried at woodblock printmaking and recently I could not withstand buying this postings opening 1918 "woman at the window", an art-calender woodblock printed from the block, in the memory of this neglected artist. 

As a student of Karl Köpping his skills copying the old masters extended to the new masters also finding his etching of Degas' café scene that is now in the Musée Dorsay.

In Leipzig the Einschlags lived door to door in the same building to Rüdiger Berlit (1883-1939) a German expressionist painter and woodblock printmaker  and it was probably Berlit influencing and pursuading Einschlag to develop also in printmaking. And, can you believe it, I found this  photograph of the 1915  1915 Paper Fair in the Leipziger Peterstraße. Comparing it to the print he created you can see how good he'd become at it. Notice the banner of the The Lindstrom company.  

Much of Einschlags work was destroyed in and before the war when his art,  from 1933, was declared "entarted" or degenated. To be forbidden, publically ridiculed and destroyed by the same fanatics, insane and criminals that later killed 6 out of 7 (million !) Jews in occupied Europe.         

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Some examples of work by Eduard Einschlag's graphics teachers in Munich and Berlin 

Peter (von) Halm (1854-1923)

Karl Köpping  (1848-1915)

Rüdiger Berlit (1883-1939)  

  

All pictures are mouse-clickable to embiggen.  

All information was scratched from the www. and reassembled and reshaped to this posting to the best of my abilities without any economical or  commercial purpose. With that in mindte contents should be judged likewise (GC).

  

       

Jonathan Heale contemporary printmaker and illustrator.

Jonathan Heale (1949–) 

is a British children's book illustrator who works primarily in woodcuts. Heale studied typography and fine art at the Royal College of Art in London. 

In a book I recently acquired I found his amusing Alphabet that I couldn't find in Google and that is too good to be hidden, left unnoticed and not enjoyed. 

Heale has illustrated numerous works for children, including books of fables and fairy tales, such as Angela McAllister’s adaptation The Tortoise and the Hare: An Aesop's Fable (2004) and Adrian Mitchell’s retellings of Hans Christian Andersen’s The Steadfast Tin Soldier (1996) and The Ugly Duckling (1994). 

He has also illustrated several books by William Mayne, such as Tibber (1986) and Lamb Shenkin (1987). In 1997 he won the Kurt Maschler Award for his detailed woodcut illustrations for Mayne’s Lady Muck.

In the meantime

New woodblock print and other related postings will continue here in due time.  But recently, in the meantime, I am seriously and sincerely engaged in composing a book about the paintings of my late friend and impressionist painter Herman Buijtenhuijs (1944-2010).

To find, locate and photograph paintings has proven to be a laborious and time consuming task. For this reason I have started a new Blog to show what've discovered so far and to encourage unknown owners of paintings to contact me. Some 100 paintings I have uploaded and it is an ongoing enterprise. I'm in the process of revisiting the locations he painted when and where I can. 

It has taken me three months to discover and photograph some 100 paintings showing the (my beloved) Island of Ameland (Netherlands) and some 40 paintings of Ireland where Herman lived near the sea and were he painted beautiful and spectacular  Connemara from 1996 untill his untimely death 2010. There must be many paintings yet undiscovered. I also intend asking the helping hand of the (local) press.

Although the Blog is written in Dutch I invite readers to visit and have a look at a unique and  growing collection of impressionist paintings  by my friend here: http://hermanbuijtenhuijs.blogspot.nl. Or follow the page button above. 

Help requested

Today, making a new start after a break in posting, I ask the help of readers to identify the artist who made this print send today by reader Robert in the USA. He'd like to know who created it and when, the only clue is the former owner told him it was also shown in a book (on printmaking ?) I particularly like the square design, the diagonals and the (classic, 1/3) composition besides the icy blue long shadows. I don't remember having seen it ever.  

some delay

After three years of more or less regular blogging and due to recent events and circumstances there's some dealy in publishing new postings. But I'll be back with new and interesting prints (and related things of beauty) very soon. 

In the meantime let me know what you think of this small (9 x 13 cm.) expresessionist woodcut and what you see in it. I cannot imagine someone recognizing the maker (but who knows ?) and I'm nevertheless very interested in your opinion. 

And in the meantime have a look at my latest project commemorating Herman Buijtenhuijs (1944-2010), Dutch Impressionist painter and his artist view of the North Sea Island of Ameland  at: http://hermanbuijtenhuijs.blogspot.com or follow the link through clicking at the page above.