Showing posts with label Anna Feldhusen. Show all posts
Showing posts with label Anna Feldhusen. Show all posts

Wednesday, 10 August 2016

Else Ruest, Heimatkünstler aus Hannover

Before I try to continu following printmaker Cäre Neuhaus (in before posting) I must "fit in" this artist first. I met her in september 1915 with Cläre Neuhaus in Bonn Obernier Museum in the “Graphische Wanderausstellung” (traveling exhibition) with later famous painter/etcher Anna Feldhusen (1867-1951) from Bremen, and many others. 

Anna Feldhusen


Ruest, Elisabeth (Else)
(Hannover 19-04-1891 – 28-03-1945 Hannover)
 Landscape and flower painter, “Gebrauchsgraphiker” and graphic artist (no woodblock prints known).
"Heimatkünstlerin"
"Home-painter: working locally choosing mainly topics "close to home".  


She died in the allied bombing of Hannover in the night of march 28th 1945 destroying also her house, studio and all her remaining work (90% of the city's centre was destroyed by allied bombing killing 6000 inhabitants). These 4 examples are all I was able to find. This print below I found in Neil's Adventures in the Printtrade (2012) who has stumbled also over this forgotten printmaker.  


She had been a student of the “Großherzoglichen Malerinnenschule Karlsruhe“ which was founded October 1885 and in function until 1923 by uniting private painting schools and classes and was under the patronage of grand-duchess Luise of Prussia (1838-1923). Because of the overwhelming numbers of women students the Karlsruhe academy professors, many ran private schools besides their academy work, were not able to take any more private students. Women had to wait untill 1923 before being allowed to study in the Academies. In the school students were taught by academy professors. On of Else's teachers in the school is mentioned to have been  "V.Roman"See end of this posting for more details and some remarkable findings. 



Although she must have been a prolific artist  just a few examples (and not the best pictures, sorry) of her etchings are available.



She was among the early visitors and regularly staying in the village of Schwalenberg in beautiful county Lippe near Detmold. Thanks to artists like her the little town grew into an artist colony. Berlin Academy professor  Hans Licht (1876-1935) took his students here for "en plein-air" (outdoors) painting in the french Barbizon school (1830-1870) tradition.  

Hans Licht

Printmaker and "Heimat" painter Ernst Rötteken who was born, lived, worked and died in Detmold was a frequent visitor. 

Ernst Rotteken (1910)

All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.


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V.(iktor) Roman (1841-1916) was a teacher at drawing in the “Bender’schen Lehranstalten” in Weinheim (in Bavaria’s Black Forest). His younger brother Max Wilhelm Roman (Freiburg 30-0-4-1849 – 08-05-1910 Karlsruhe) however was a painter and lithographer and had studied in Nürnberg. He was appointed 1886 as a teacher in the newly founded Karlsruhe “Malerinnenschule” acting as its director from 1895.  I think “V. Roman” as Else's teacher is probably a mistake. 




Max Wilhelm is more likely to have been Else Ruest’s teacher at the “Malerinnenschule“ in Karlsruhe. He married 1891, 21 one years younger, painter, book cover designer and illustrator, graphic artist and ceramist Käthe Foersterling (Dresden 1871 – after 1910 Dresden) daughter of Dresden painter Otto Foersterling (1843-1904). She had possibly been his student because she’d also studied at Karlsruhe “Malerinnenschule”. She later taught in this school as a professor of flower painting in 1902 and also in the “Kunstgewerbeschule” 1903-07. 



She and her two children returned to Dresden 1907 giving up her position as a professor, it was said “because of her sickly children” Maria and Wilhelm: Maria indeed died Dresden 04-02-1910. The real reason was her husband and her mother discouraged her and made her give up her career and position because of her mental health. She'd moved to her native Dresden for treatment where she lived disillusioned. Wilhelm Jr. and his father are said to have created linocut prints. Hear year of death is unknown. 




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Sunday, 27 December 2015

Two printmakers and a Munich teacher.


Kempter, Caroline (Lina)

(Illertissen 05-02-1856 – 27-08-1925 Illertissen)

German painter and printmaker private painting tutor in Munich. 

Lina Kempter was the daughter of prosperous estate and Inn “zum Hirsch” owner in Illertissen (N.W. of Munich) Max Josef Kempter and Caroline Rief


Working on my Index on Germany's first generation of modern printmaking women artists I found her name in an article recently. I read that a painting (above) by her hand had returned to Illertissen with the help of a helpful gallery owner (read here*).  It is the only example of her work I was able to find. Her life and career are are considered exemplary for the struggle of women to achieve a career in art and her life following the development of the women-rights movement. As many of  the 250 women I am researching she was of prosperous (or well to do) background and stayed unmarried.


She went to study in the “Königliche Kunst und Gewerbeschule” in Munich 1881-1883 and also with landscape painter Adolf Stäbli (1842-1901) in Munich. It is said that in later life she produced several color woodblock prints but I've not been able to find an example proving her efforts as a printmaker. 

Kempter family home: the Inn "zum Hisrsch" in Illertissen - Bavaria.

In 1894-95 she travelled to Valparaiso in Chili possibly visiting family members who had immigrated. She worked 1899-1904 as a teacher in the “Damenakademie des Künstlerinnen Vereins München” specializing in flower-, landscape- and still-life painting and started her own painting school and studio. From 1916-1925 she stayed and painted every summer and fall in Landsberg am Lech. She is buried in Illertissen.


Her family owned, since founding and building in the late 18th century, the Inn "Zum Hirsch" in Illertissen. Generations of Inn owners expanding the business with the well known Brewery best known by the name of its last owner Adolf Kempter (1851-1914). It went out of business in 1914.   

Her buste was created by arts and craft artist and sculptress Antonie Weber Petsche (Magdeburg 03-03-1845 -  after 1921) and was shown in 1893. She also created a buste of Adolf Stäbli in 1881, Kempters professor in Munich, shown in 1902 in Chur (Sw). She is still mentioned (“Kunstgewerblerin”) in Dressler 1921 living Adalbertstrasse 35  in Munich (then 76 years of age).

Other artists studying with Lina Kempter in Thieme-Becker/Folmer Künstler Lexikon:
Augustin, Josefine   (01-08-1882 –
Brendeke, Paula      (18-01-1879 -
Lasser-Schmalix, Ida von  (22-01-1879 –



Any examples of paintings or prints by Lina Kempter and biographical notes are most welcome for sharing in this Blog.  

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Most interesting was what I discovered digitally cross-referencing my (not yet published) Index. Just two tiny footnotes in history connect printmakers Lina Ammer (1873-1935) from the small town of Straubing near Regensburg and Anna Feldhusen (1867-1951) from Bremen with Lina Kempter's painting school in Munich.


Anna Feldhusen: Oldenburg landscape 
Anna Feldhusen later returned to the North joining the Worpswede artist colony finally settling in Bremen. She is mainly known for her flower paintings and landscape etchings and became close friends with Marie Stein-Ranke (1873-1964) Germany's foremost woman portrait-etcher. 


Marie Stein-Ranke: selfportrait
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Lina Ammer returned to Regensburg and had a career as painter, is well known for her fine woodblock prints and like her Munich teacher started her own painting school in Regensburg. One of her prints recently was identified by faithful reader Wolfgang as showing the "Haus der Musik" and backside of the "Dominikaner-kirche St.Blasius" in Regensburg. 



This particular view is not to be found in pictures in the Internet but this (above)  is what I glued and stitched together to show the actual situation of the print. 



And with this arial view it is clear were Lina Ammer must have sat sketching to fit two Regensburg historical buildings in one composition.



Working on more unknown or forgotten locations shown on prints we ask the help of readers to identify two more prints by Lina Ammer. There is this typical for the South of Germany small road-side shrine. Called in German a "Bildstock" or "Marterl". This type is also commonly seen in Austria. Perhaps an impossible task to find where Lina Ammer saw it. 




And this fountain situated in a town square, opposing a medieval house. Surely showing St. Jakob (with the staff): "St Jakobsbrunnen" ? But where ? It could also be no longer existing because Wolfgang who usually succeeds in eventually finding what he is looking for was unsuccessful so far. 

See next posting for the solution of this location.    



All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.