Showing posts with label Carl Rotky. Show all posts
Showing posts with label Carl Rotky. Show all posts

Wednesday, 11 November 2015

Varia

A varied posting with help requested to identify some more prints and printmakers. 

Graz: Grazer Dom and rooftops 






Printmakers Carl Rotky (1891-1977) and Norbertine von Bresslern Roth (1891-1978) both were natives of Graz, but I'm very curious about the signature on this rather nice woodblock print: W. (Wilhelm, Walter ?) Hörgler, Hirgler ? (see also the Monogram in the block: WH


Unknown Printmaker: Girl with a scarf.


Carl Moser (1873-1939) certainly was intrigued by scarfed and bonneted (Brittany) girls, but also by the fabric and patterns of lace, cotton, dresses, cloth etc.  He for ever was experimenting, changing and altering designs, horizons and compositions seaking perfection as I am planning to show in next posting.  



And because of the attention to fabric and patterns this print reminds me also of prints by illusive printmaker Dagmar Hooge (1870- after 1921).



Until a good signed example or copy shows up only the help of a reader who recognizes this print may help to identify.

Friday, 31 October 2014

Dore Hoyer, 1949 woodcut, Holzschnitt by ?

Dore Hoyer

(Dresden 12th Dec. - 31th Dec. 1967 Berlin) 

German expressionist dancer. 




Reader Steven from in Sacramento, California USA asked me to help him with identifying the maker of this great 1949 German expressionist woodcut that he's found in a sale. My books and archive did not reveal the identity of this (probably) female printmaker. It's made very much in the style of those famous expressionist artists Emil Nolde, Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rotluff. A great and potentially historically important find. Digging in I learned about her fascinating person and her amazing world and the people in it: what a beautiful woman, what a tragical life !    


Above: Portait of Dore Hoyer by photographer Lenka von Koerber (1888-1958) who also wrote a book commemorating Kathe Kollwitz in 1957. 



Dora Hoyer in a double exposure by Dresden photographer by Edmund Kesting (1892-1970). Over the years he made several iconic portraits of Dore Hoyer.  


Photo removed 

Dore Hoyer began her dance and rhythmic training at Hellerau-Laxenburg School in Dresden in 1927. After passing the examination for dance teachers, she studied with Gret Palucca (Margaretha Paluka, 1902-1993) and in 1933 she presented her first solo concert. These dancers maybe considered the equivalent of Madonna in the roaring 20's; athletic, iconic and avant garde. 



Above: Gret Palucca by Franz Fiedler (1885-1956) one of my favorite photographers.  



She worked for a short time as a ballet mistress in Oldenburg, but returned to Dresden to become a member of Mary Wigman’s (1886-1973) dance group in 1935 after her lover Peter Cieslak had committed suicide: aged 21, what a waste ! 


Above: Mary Wigman by Ernst Ludwig Kirchner (1880-1938) this woodcut auction estimated 10.000-15.000$. 





Above dancer "Nelly" who really was Turkish Elli Secaidari (1899-1998) besides a great dancer in the Mary Wigman group later to become a famous photographer, who made fame with her nudes on the Acropolis in Athens.
  
Dore Hoyer took over the former Wigman School after World War II and formed her own dance group. The group gained notoriety, but Hoyer left to continue her solo work. 

In 1947 she and her dancers impersonated the graphic works of Käthe Kollwitz (1867-1945) on stage. (Portrait and woodcut selfportait above) 


Portait etching of Dora Hoyer by Lea Grundig-Langer (1906-1977) 

From 1949 to 1951 Dore Hoyer served as director of the Hamburg State Opera Ballet, but had greater success abroad. She presented a number of solo performances in South American and in 1957 made her debut with the American Dance Festival at Connecticut College. 




"Tanz" (dance) by Carl Rotky (1891-1977)

1966 marked her last dance performance. She had no school––no income, and committed suicide in 1967.  While Hoyer is less known than many modern dance artists, some historians believe her work emerged from a period of stagnating dance and set in motion innovations that underlay American modern and postmodern dance.




Finnish Sara Jankelow-Rung (1891-1974) another performer-dancer from the Mary Wigman group spectacularly photographed by Franz Fiedler in 1926. 

All artists mentioned in this article in one way or another belonging in the artistic circles around Dore Hoyer so there must be enough clues to link this fine  woodcut portrait to the unidentified printmaker. 

Send in your suggestions for sharing please !




"Tanz" 1913, by Emil Nolde (1867-1956)


All pictures borrowed freely from the internet for friendly, educational and non commercial use only. 

Thursday, 23 January 2014

Fred Fredden Goldberg: a summing up.

Fred Fredden Goldberg

(Berlin 24-09-1889 – 5-11-1973 San Francisco)

German, American painter and printmaker.



Besides collecting woodblock prints the saving and storing of bits and pieces of information eventually and inevitably will lead to the revelation and unobscuring of obscured and forgotten printmakers.   

One of my recent acquisitions is this charming red Robin print. “Rotkelchen” in German although I’m not convinced we are talking of the same species of garden bird (see in the comments, below, for the proper ornithological name). Over the years I've found a few more examples of "Goldberg prints" and I even was able to obtain one or two. Thank you August for this last one !

Although Fred Goldberg's prints are not very special, he's not a Walter Klemm or Martin Erich Philipp and by no means his landscape and flower prints are coming close to prints created by the earliest German women printmakers. But they are quite decorative and better then anything I've ever achieved in this field. And to be honest they are usually affordable and thus within my financial reach. 

The seller of the Robin, a well known Austrian printmaker and himself a student of Carl Rotky (1881-1977) knew it was by Fred Goldberg and it was this last and vital piece (the Fred part) of information that had to fall into place. All signatures I've seen were without the Fred part. Besides, Rotky and Goldberg had been contemporaries. So here's what I’ve been able to piece together  so far about the life and times of Fred Fredden Goldberg. 

Born in Berlin as the son of an accomplished artist father, whom I haven’t been able to trace yet, he studied at the “Königliche Akademie” in Munich, in the “Ecole des beaux Arts” and also in the “Académie Julian” in Paris.

In several different writings Goldberg was described as a “Tiermaler”, a painter of animals, but also as a portrait and landscape painter who had been commissioned to paint the portrait of Kaiser Wilhelm II but also as being a theatre director. It is said he visited travelled to California and also worked there in 1904. If this is true, at age 15, I do not know. In in other article his father is mentioned to be the painter of the Kaisers portrait.

Poster by Fred Fredden Goldberg.
Apparently Goldberg visited many European countries on foot and to improve his skills in paintings animals he travelled to (German) East Africa for a year. Finally, in the 1950-60’s, he was recorded as “disappeared from the records since the mid 1930’s” while before working and teaching as an artist and professor in Berlin.

In the Jewish ghetto: Shanghai
For Jews life in Germany had become increasingly impossible from the mid 1930’s. The world, according to Chaim Weissmann, the Zionist leader  seemed to be divided into two parts --"those places where Jews could not live and those where they could not enter".


But a forgotten chapter in history are the many thousands of European, Baltic and Russian Jews that found shelter and lived in exile until after the ending of WWII in Shanghai, in China.

Read here* this condensed and immensely interesting story. Among those who found shelter in Shanghai in 1938 was Fred Goldberg who after the war  did not return to Germany but emigrated to California in 1947. America had financially supported the Jewish Shanghai community.

From his Shanghai refuge period these watercolors by his hand have survived. Goldberg lived and painted the rest of his life until his death in 1973 in California.



A fire is said to have destroyed most of his surviving paintings in 1980. I think his woodblock prints were all created in the 1920-30’s and in Berlin.


Any further information on the work and life of Fred Fredden Goldberg is very welcomed and shall be shared in this Blog.

August Trummer (b.1946) send me these 3 auction catalogue pictures if which I would very much like to know and see the original color prints. 


All pictures borrowed freely from the Internet for friendly, educational and non commercial use only. 
        

Sunday, 13 February 2011

Arie Zonneveld (I)


Arie Zonneveld
(1905-1941)


Dutch linoleum and woodcut printer

Spring is in the air !


Arie’s blossoming tree printings.


The opening print showing one of the first signs of spring in Low Land Countries. Coltsfoot often flowering as soon as in Februari, here underneath typical Dutch pollard willows scenery.

I think this must have been a popular print because the first one showing considarable wear of the block comparing it with the one on the left.


Last year, through the wonderful and excellent Blogs of Clive (Art and the Aesthete) and Lily (Japonisme) I revealed a cross section of Dutch Arie Zonneveld’s printed art to you. Comparisons were made with great and famous printers: Frances Hammel Gearhardt (1869-1959) and William Seltzer Rice (1873-1963). I think Gustave Baumann (1881-1971) and Pedro de Lemos (1882-1945) should be added to the list (see below for linking to these posts). Baumann the grand and true master of printing blossoming trees.



There was a shared amazement concerning quality and originality of this remarkable but unknown and mostly forgotten Dutch printer’s creative output.
Could Arie have had knowledge of the works of his fellow American printers? On the European continent many printers were working but not in a style closely resembling his. On his flowers, maybe (I will show those in following postings).
Carl Rotky

Gustave Baumann

Color printing (landscape)artists like Carl Thieman (1881-1966) Hans and Leo Frank (1884-1959), Carl Rotky (1891-1977) and Hélène Mass (1871-) coming to mind. The Austrian- Hungarian printers developing an altogether different style. I can’t think of any English or France examples. Artists like Oscar Droege (1898-1982) showing a completely different approach to printing landscapes.




both examples by Gustave Baumann.

Earlier I pointed to the books by Pedro de Lemos. In the Netherlands there were simply no printers mastering the art of color printing combining linocut and wood-key block printing that could have been taught or shown to him. Although he visited Italy Arie was not a widely travelled man.

I think he figured it out mainly by himself which makes his achievements in color printing all the more amazing. In his short life he has shown a wonderful eye to the beauty around him and an amazing sensitivity and skillful ability to capture the world around and pass it down to us. Even two, three generations later.

Visit:

http://lotusgreenfotos.blogspot.com/search?q=zonneveld
and
http://www.clivechristy.com/search?q=zonneveld

to catch up on the art of Arie ZOnneveld.


To be continued soon !

All examples by Arie Zonneveld unless otherwise stated.