Showing posts with label Helene Grande-Tupke. Show all posts
Showing posts with label Helene Grande-Tupke. Show all posts

Saturday, 12 August 2017

Elly Proempeler: what's in a name ?

Elly Proempeler-Ebeling
(05-01-1883 – 25-05-1972 Osnabrück)

Author of “Kriegsgefangen quer durch Afrika”
(“POW through the heart of Africa”)
published in 1918 (Otto Elsner Verlag, Berlin).

Feluccas  on river Nile, Egypt, signed L. Zimmermann 1913. 
Finding a name of a previous owner written on the back of a framed work of art that has been cherished for a century is always intriguing. It is mostly very difficult for the untrained to read German Sütterlin. The script ("Fraktur") was introduced in 1915, became the official German script in 1935 but was banned by Hitler himself six years later. 



Even to modern Germans Sütterlin or "Fraktur" writings (signatures, titles, specifications) are often described: "unleserlich" (eligible). 



Reader Mathias send me a picture of a print signed “L. Zimmermann” with moored feluccas, traditional (North) African sailing vessels, suggesting the printmaker visited Egypt and river Nile. The other two prints (above) are also by the same printmaker. I could tell you one or two things about L. Zimmermann here but that must wait for the book. Emil Orlik (1870-1932), working and teaching in Berlin also traveled Egypt and Sudan, in 1912, and in later years published several works like this "Feluke" and river Nile .


  
It would also be interesting to know in which exact year (between 1911-1920) Helene Tüpke-Grande (1871-1946) travelled to Egypt (below).   



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However: this contribution is not supposed to be about prints and printmakers but about Elly Proempeler probably the first owner of the print. 

The name (partly in Sütterlin ?) was enciphered by Frankfurt Enigma Machine Wolfgang as Elly Proempeler.


Elly (for Elisabeth ?) was the daughter of N.N. Ebeling and Johanna Strick (12-10-1854 – 15-06-1928 Osnabruck) and married to lieutenant Karl Proempeler (born around 1878 in Schweppenhausen near Frankfurt). Their names could fit Proempeler und Frau” found on the ships passengers list of Woermann shipping company (“Reichs Post Dampfer”) “SS Admiral” departing 21-04-1914 from Hamburg. They are mentioned in the Namibian (German West-Africa) “Lüderitzbuchter Zeitung”.



SS Admiral and Woermann sister ships: depart from Hamburg (river Elbe) and arrival in SW- Africa.

The Proempelers, assuming they are Karl and Elly, could be returning from a leave to Africa because a 1913 photograph shows Elly Proempeler on the steps of a building in Tabora in German East-Africa (later Rhodesia now Tanzania). Karl Proempeler was appointed “Kaiserliche Bozirksamtmann”, an imperial colonial government official. 



The colony of German East Africa was ruled (1912-1918) by its last governor Heinrich Schnee (1871-1949) who after WWI became a member of the “Reichstag”, the German parliament (below).


With the outbreak of WWI the colony became involved in hostilities with the Belgian and British forces although it was mutually agreed not to “fight over the colonies” by all parties in the mondial conflict. 



The region was considered by both the Germans and British very promising and important for the cultivation of rubber trees. Eventually the complex situation, the disagreement of Schnee with his military commander “Afrika-General” Paul von Lettow-Vorbeck (1870-1964) lead to the remarkable situation German forces kept fighting a succesfull guerrilla war with the allied (British, Belgian and Portugese and native) forces under command of von Lettow.


The famous general happens to be the older brother of Berlin printmaker Christa von Lettow-Vorbeck (1881-1945) (below). 



With 2000 men he kept busy an army of 100.000 and managed to stay undefeated. Von Lettow used the dismantled guns of German cruiser SMS Königsberg which was scuttled by the British Royal Navy 11-06-1915 at Rufiji River. 



When von Lettow, who was a hero even to his enemies and like Schnee a later Reichstag member, was offered an ambassadorship by Adolf Hitler he calmly and politely told Hitler to “go fuck off" and got away with it simply nobody had the balls to arrest him. He was declared an enemy to the State and was denied his pension which I suppose will not have posed him a big problem.



Lieutenant Karl Proempeler, commanding a German military party, fell at the Battle of Saissi, defending a hill near Jericho Farm in Tabora 05-07-1915. 

His wife Elly later was taken POW and deported by the Belgian forces forced to march to Congo across the African continent (“quer durch Africa”) in a heroic journey. The graves of the fallen German soldiers at Saissi were later opened by British forces to find large amounts of ammunition thought to be hidden and used later by returning German forces.



From Congo Elly Proempeler was taken on a ship with other POW’s to be interned in London their convoy hunted by German U-boats near Gibraltar. Surviving also that part of her journey she in London she was permitted to walk free. London at that time was bombed and terrorized by German Zeppelins.


She then was send with a transport from England to a POW camp in Espalion near Toulouse in the South of France. In 1917 with the aid of the Red Cross she was enabled to return home through Switzerland to Osnabrück to learn her father had died and her only brother fell in Flanders trenches. All along her journey she was permitted to keep her camera and together with the book published in 1918 she gave an eye-witness account of her ordeal and the events of 1914-1917.

Elly Ebeling later remarried Ernst Regula (1875-1942) who had a career as a high ranking railway official (“Oberreichsbahnrat”). She was buried with her mother and husband in Osnabrück.



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Danish Karen Blixen, barones von Blixen-Finecke, (1885-1972) married in 1914 and travelled to a life on a farm in neighboring Kenia. The story of her life later became world famous with the movie “Out of Africa” and was based on her 1937 book, published some 20 years after Eli Proempelers account.

PS:
An Otto Proempeler travelled 1913 between Lüderitzbucht and Swakopmund (German West Africa now Namibia) and returned to Hamburg with RPD SS “Kronprinz” the same year. His name is amongst those citizens receiving a German Iron Cross medal in German West-Africa.

Namesake Elisabeth Ebeling (1825-1905) from a merchants family was an extremely prolific German writer of children and fairy tale literature and a libretto (opera) and song writer. She travelled extensively through Turkey, Egypt, Tunesia and Spain.

All information on this Proempeler–Ebeling family is welcomed as are offers of a copy of Elly Proempeler's book which must be interesting reading.  


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Although besides this contribution I cannot withhold this great 1981 drawing "Feluken" by one of my favorite modern and more contemporary German sculptors and printmakers Heinz Theuerjahr (1913-1991).  


All pictures borrowed freely from the internet for friendly, educational and non commercial use only.

Tuesday, 17 January 2017

Miss Rosa Paul: a forgotten Martha Cunz student


Thanks to reader Wolfgang I was informed about an exhibition held in Sankt-Gallen (Sw.) "Historisches und Völkerkundemuseum" (historical and ethnographic museum): "Faszination Farbholzschnitt" around St. Gallen's most famous woodcut artist Martha Cunz. It runs until march 2017 and there's a catalogue raisonné on her work published by it's enthousiast director and author Dr. Daniel Studer.  


Martha Cunz (1876-1961) is known to have been a teacher to many printmaking artists, and in the exhibition there are 4 examples of prints by one particularly talented student: "Fraulein R. Paul". 

Schweinfurt, Roßmarkt by Rosa Paul.  


Miss Paul visited to study with Martha Cunz in St. Gallen in 1908 and in 1909 and left these 4 examples of her efforts in the collections and archives of her teacher. I've never seen any prints by her on the market and she is not mentioned in any of the artists lexicons: she seems to have disappeared from the records after 1909.

Weißkohl Markt (after 1907 !) 
But I had a hunch the market scene may be a clue to where miss Paul originated from. Wolfgang suggested "somewhere North of the Alps" so possibly Bavaria (Bayern) ? The very specific watchtower ("Wachturm") and market ("Marktplatz") might be one day recognized by an attentive reader, he suggested. 


Roßmarkt, Rosa Paul may have lived in one of these houses. In the background the fire watch
Looking down from the Fire Watch Tower towards Roßmarkt 

The truth is this wonderful medieval scene (the watch tower  actually is the "Feuerwehrturm" (fire watch) build or renewed in 1907 so shortly before she travelled to Martha Cunz Switzerland) was destroyed by allied bombing: it is Roßmarkt in Schweinfurt on river Main, right in the heart of Germany, 60 km, east of Frankfurt. The damaged watch was demolished in the 1950's.



Rosa Paul is mentioned (M. "Malerin" - painter) living Roßmarkt 1 in my copies of Dresslers Kunsthandbuch 1921 and 1930. But she's left no traces in the Internet nor  in any artist lexicon. Food for local historians, but a new name in my "German Women Printmakers Lexicon".    


Turkeys, (Truthahn) by Rosa Paul 



and by Cläre Neuhaus (1882 - 1932?) and Walter Klemm


Since Rosa Paul's prints are true examples of "early" printmaking (before 1910 when Orlik was busy teaching in Berlin, Klemm and Thiemann in Dachau and Martha Cunz in Sankt Gallen) I'll show them with some examples by other early printmaking icons.  



Rosa Paul 





Duck prints by Helene Grande-Tüpke (1871-1946) 


Spring meadow: Rosa Paul 


 Hedwig Matthiessen (1879- after 1930).

Please send information concerning miss Rosa Paul (apparently she stayed unmarried) living and working in Schweinfurt (1910-1930). 
All new information on this unknown artist will be shared in this Blog. Research "on the spot" is already promised.........  


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All pictures borrowed freely from the Internet for friendly, educational and non commercial use only. 

Prints by Rosa Paul shown thanks to Wolfgang Barina in Frankfurt who took photographs at the exhibition in St-Gallen this week. 
Courtesy ("mit Genehmigung") of Dr. Daniel Studer, St.Gallen.  

Sunday, 15 December 2013

Mathilde Reuss: a royal printmaker and a puzzle

Reuss, Mathilde

(Dresden 19-03-1853 – 1933 Dresden)
Princes and once heir to the throne of Saxony.

painter an printmaker.





(added 1-november 2015) It has become clear that the princes Mathilde is not identical with Mathilde Reuss, student of Angelo Jank and working in Munich. Mathilde Reuss known from a handful of color woodblock prints will be treated in an updated posting based on new information soon.   

Planning to compose a book on the first generation of German women  printmakers, born 1855-1900 and active before WWII I'm doing a lot of research lately, reading and checking biographies. Trying to fill up gaps and often starting with nothing. Like in this case. Who ever heard of Mathilde Reuss now considering there are two printmakers with that name.


It's combining archived pictures of prints gathered from old auction catalogues, books, on-line auction sites etcetera and the result of some serious puzzling together fragments, bits and pieces of facts and data. Today an example of my efforts unobscuring a forgotten and before unknown (unidentified) printmaking artist. My genealogical experience helping sometimes. 

The signature reads: Mathilde Reuß, München.  

Besides: Reuss or Reuß isn't a usual or "common" German family name either. It belongs to the House of Sachsen (Saxony), German (intermarried) royalty. Inherited from her great-great grandmother maternal: Countess Auguste Caroline Sophie Reuß zu Ebersdorf (1757 - 1831). Maybe her monogram in this African Storches or Marabus print is hinting at her royal status. RMR. the second R for Royal or Regina ?
Poster for the exhibition "Frauenkunst zum Besten fuhr Mutter und Kind" for the "Illustrierte Zeitung", Dresden 1912. 

So her full name is:  Mathilde Marie Auguste Viktorie Leopoldine Karoline Luise Franziska Josepha of Saxony, Duchess of Saxony. Eldest surviving daughter of King (for two years 1902-1904) George of Saxony  (1832-1904) and Maria Anna of Portugal (1843-1884). (They had 8 children but before Mathilde 2 girls died in infancy).
 Dresden Zoo Marabus or African Storks. Etching by Martin Erich Philipp

Princess Mathilde stayed unhappy and unmarried after being refused and rejected an arranged marriage by her fathers strategic choices. Twice. She was not a beauty and the lucky candidates obviously pernickety. Leaving the poor girl embittered,  seeking consolation in alcohol she was nicknamed “Schnapps Mathilde” by the Saxons. What a sad story. 
Marabus by Helene Grande-Tupke (1871-1946), in Breslau or Dresden Zoo.

Nevertheless Mathilde took up a career of painting and printmaking following painting lessons in Dresden with Alfred Diethe (1836-1919) from 1890 to 1901. And she was rich enough to have asked Norbertine Bresslern Roth (1891-1978) for some good advice because looking at her Marabus print she obviously was acquainted with her work. She certainly could afford summoning every artist in the land to her house in Dresden. 

She was given this villa in Dresden Hosterwitz. The von Sachsen-Coburgs were immensely, filthy rich: British Queen Victoria was one (by her mother) and she married one (prince Albert). Best way of keeping the money in the family and when you're lucky the children will turn out not too bad. Here Mathilde stayed, traveling, painting, making prints and posters, illustrating a book or two and maybe drinking once in while reflecting how her life would have looked like if she had married, had children like 3 of her 5 brothers and sister. Aunty Mathilde died in the villa aged 70 in 1933. What was left of the great house after the rage of WWII was broken up in shelters for the homeless first and later converted into dwellings for ordinary people. 

A bookplate made for Mathilde Reuss by Ferdinand Nockher, a Munich painter, illustrator and bookplate (ex-libris) maker.

See also the before posting for the Marabu print by Philipp Reisdorff: a coincidence. 

All pictures borrowed freely from the Internet fro friendly, educational and non commercial use only. 

The Marabu print by HTG: from the Japonism Blog. Thank you Lilly!