Hildegard Koch: forgotten.

Koch, Hildegard 

(1871 – after 1921 before 1930 ?)

Dresden painter and printmaker

I have to make corrections on this posting within 24 hours. The print described was not created by Hildegard Koch. The research however unexpectedly lead to the proper artist. Please see next posting on Wilhelm Koch. 
   
Hildegard Koch lived and worked in Dresden and (1898 - ?)  in Kipsdorf-im-Erzgebirge (20 km. south of Dresden) in the "Erzgebirge (Ore-mauntains). I have no proof source to where she was born. She is not mentioned in any of the artists lexicons.  

She had also been a member of the "Verein der Berliner Künstlerinnen" 1898-1916 and exhibited with the VdBK 1898, 1901, suggesting she may have studied in Berlin. This painting and the postcard below are the only examples of her work I as able to find. 

Later we find her also a member of “Gruppe der Dresdner Künstlerinnen”, around 1904, and exhibiting in 1908 in “Galerie Arnold” with Doris am Ende (1857-1944), Clotilde Schilling (1858-1934), Bertha Schrader (1845-1920) and Lina von Zieten (?) and others. Please help to identify this last artist ! 

Hildegard Koch is not graphically known by any woodblock print. This print surfaced in German Ebay last month showing a winter landscape and a twin towered “Kreuzkirche” possibly somewhere south of Dresden, in the Ore Mountains region (“Erz-gebirge”), possibly around Dresden. It would be nice to identify the church and its town. Reading the signature "Hilf." I wrongly assumed it could be made by her. It's not, but the print has lead me to her surprising adres in Dresden and more surprisingly to her printmaking colleagues and even neighbors. This mistake (wrong path of investigation) shows how little we know of the lives of so many wonderful artists. 
I am not ashamed to prove myself wrong. It is an accepted way of research when open for criticism and fresh ideas (thank you Wolfgang in Frankfurt for you help and suggestions).     

In Dresden Hildegard Koch lived in 1921 at Ostbahnstrasse 1, in a street were artist liked to have a studio because of North facing windows: at nr. 2 lived Elisabeth Andrae (1876-1945) and Erna Ottillie Bercht (1881-1966) while Clothilde Schilling (1858-1934) lived at nr. 16. Printmaking ladies whom we've met met before.

Ostbahnstrasse Dresden

Dresslers KHB 1921: Dresden, Ostbahnstrasse 1. Member VdK.

Dresslers KHB 1930: not mentioned, suggesting she stopped living 1921-1930.

Post card made by Hildegard Koch in Kipsdorf  

Hildegard Koch today is a largely forgotten artist. These are the only facts and examples of her art I was able to scratch together. But slowly pieces of the historic puzzle in artistic Dresden begin to form pictures: follow the labels: Andrea, Schilling, Schrader.        

Do send corrections and additions for sharing and help me in my research into early German woodblock printmaking by woman artists born 1850-1900. 

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All pictures borrowed freely from the Internet for friendly, educational and non commercial use only. 

Clotilde Schilling: what's in name ?

Clotilde Schilling

(1858 - 1934) 

German painter 

Clotilde (as German as a name can be as if it was taken from a Wagner Opera) Schilling was the daughter of Johannes Schilling (1828-1910). A celebrated son of Dresden, a famous sculptor. Read about him (here*)

I stumbled over Clotilde (1858-1934) trying to identify the printmaker of the two prints in before posting (read here*). 

Clotilde's grave, and that of  Alexandra Schilling (1855-1936) in Dresden is adorned by a wonderful sculpture no doubt created (designed) by her sculptor father when she was young (there is a mentioning of this in Johannes' biography) Clotilde is not mentioned in her father's biography in the prestigious "Deutsche Biografie" (read here*). Unless her "official" name was Catharina Susanna. (Curious: Johannes married in 1857 so what about Alexandra born in 1855 joining Clotilde in eternity ?)

Clotilde is an artist-painter represented by just one painting (above) in the Internet while her brother Rudolf Schilling (1859-1933) has left proof of his successful career all over Dresden. He became a highly successful architect (read here*). (Below)

Clotilde Schilling exhibited in Dresden in 1904. She was organized and acquainted with art-sisters Bertha Schrader (1845-1920) a painter-printmaker I've met not long ago and honored with a posting (here*), and with graphic artist Doris am Ende (1857-1944). (both below)

Martin Erich Philipp studied and started his successful printmaking career in Dresden from 1913. So there are possible clues to Clotilde trying at printmaking. Her signature however has little similarity with the handwriting on the prints. 

Possibly the best known sibling of Johannes Schilling is his youngest daughter  Clara Elisabeth (1864-1913). She stood model for Germania, the symbol of Germany United. A huge and colossal monument overlooking the Rhine near  Rüdesheim created by her father.  

It was build commemorating the unification of Germany and the ending of the Franco-German war (1870-71). Ordered by the first Kaiser, Wilhelm-I himself, and his chief: Reichskanzler Otto von Bismarck. It's construction was completed in 1883. 

Germania to Germany is what Marianne is to France. Here (below), created a decade later in 1899 by Aime Jules Dalou (1838-1902), a French colleague of Johannes Schilling. It is located in the Place de la Nation in Paris.

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All pictures borrowed freely from the Internet for friendly, educational and non commercial use only.