Koshiro Onchi

Koshiro Onchi

(1891-1955)

Japanese printmaker, poet,

 publicist, book designer.
Man of many talents.
Founding father of Sosaku Hanga*

today, as promised in before last posting, I'll try to show an overview of the many talents of this Japanese printmaker with the most relevant text borrowed from Floating World Gallery* (see end of posting). 

Born in Tokyo 1891, graduated in 1909 from the middle school for German studies in Tokyo and after failing examination to enter Daiichi Kotogakko (First High School), studied oil painting at Aoibashi branch of school of Hakubakai.

Onchi entered Tokyo School of Fine Arts in 1910, studying first oil painting and then sculpture. In 1911 he withdrew from the school and obtained a job as a book designer.In 1912 he was readmitted to Tokyo School of Fine Arts. In October 1913 he began planning the print and poetry magazine Tsukubae, created numerous abstract prints and directed publication of 7 issues 1914-1915.

Onchi contributed cover designs, poems, and moku-hanga, in 1917 Onchi published his first collection of prints, Happiness (Kofuku). In 1919 he participated in the first Nihon Sosaku-Hanga Kyokai exhibition and in 1921 began publication of the general art magazine Naizai with Otsuki Kenji and Fujimori Shizuo.

Over the years Onchi was also active in producing and promoting other poetry and print magazines to which he contributed poems, prints, graphic design, and articles promoting the idea that printmaking is a legitimate expressive and creative medium, not merely a means of reproduction.

By 1927 Onchi had established a reputation as a book designer. In 1928, in the wake of Lindbergh’s trans-atlantic flight, was engaged by a newspaper company to go up in a plane and record his impressions of flight. The resulting book: Sensations of Flight (Hiko kanno). 

The coffee house and the dance room 

He personally designed over 1,000 books for publishers creating suitable letters for the cover of each one and published several books of his own poems or prose with illustrations.

"In the theatre".

In 1949 he received the first prize offered in Japan for book design. In the midst of his busy professional career in 1938 he contributed to One Hundred Views of New Japan (Shin Nihon hyakkei).

A major force in the Sosaku-Hanga* movement and the leading abstract print artist of his time in Japan. Sometimes used the signature ONZI on early prints.

*Susaku Hanga, the movement in Japanese printmaking re-introducing "draw it yourself, cut  and print it yourself" away from the collaborative  printmaking of Ukiyo-E or "floating world" printmaking, where professional cutters and printmakers executed the design in a combined effort. The movement started with Kanae Yamamoto's (1887-1946) Fisherman of 1904, shown in the Blog here*.

For a detailed biography read here* and also: Merritt, Helen and Nanako Yamada. Guide to Modern Japanese Woodblock Prints: 1900-1975. University of Hawaii Press: Honolulu. 1992.

All pictures borrowed freely from the www. for friendly, educational, intellectual  non commercial use.

Red haired beauty !

Victorian Red Haired Beauty by unknown artist 

Contemporary Red Haired Beauties by Corry Kooy

Charles' latest posting in ModernPrintmakers revealing a lovely small print of two cows: "Rouge and Noire" by Sylvain Boxsius (1878-1941) coincided with a planned posting on woodblock prints showing cows.

So this is a good opportunity starting with the colorful red beauties first. The opening painting of a "herd of red cattle along river Flist" by Dutch artist Corry Kooy. Although not a print perfectly illustrating the nostalgic feeling we  (at least I) have when enjoying a nostalgic scenery that has almost disappeared from our landscapes.  

 William Nicholson (1872-1949)   Anne Faulkner (1862-1933)

Since the times these printmakers took to the meadows, sat and sketched their subjects, much has changed. Many of the herds staying indoors nowadays, the bovine milking types through selective breeding changed into far more powerful and productive feno-types. Red cows and mixed stock have allmost completely disappeared. This posting with these lovely examples of times gone by a tribute to the colorful cow.

Carl Alexander Brendel (1877-1948)

Siegfried Berndt (1889-1946)

Hiroshi Toshida (1876-1950)

Kathleen Hale (1898-2000) - Johan van der Zee (1898-1988)

This "ordinary" black & white sister had to be included here ofcourse. Japanese printmaker Kanae Yamamoto (1882-1946), when staying in Brittany in 1912, made some great and surprisingly Modern (European) prints. After investigating his no doubt relationship with Breton printmaker Henri Rivière (1864-1951) I'll show them soon.

Likewise, although not prints, these cows (thank you Lily Japonisme!) also in Brittany by Paul Gauguin (1848-1903) and painted in 1890 before leaving for Tahiti 1891 I couldn't resist. His close friend Vincent, himself a red head, shows his love for red beauties and  simultaniously, with a wink, paying his respect to Old Master Jacob Jordaens (1593-1678) 

And while painting this peaceful family group of red ladies (above) one of the more sensitive German printmakers Walther Klemm (1883-1937) perhaps  found his inspiration for this print.

Hans Neumann (1873-1957) printed these probably Alpine red haired cows but they could also be grazing over the white cliffs of Dover. 

Closing this thematic posting with contemporary Dutch printmaker Margriet de Goede.