Maria Willemina Wandscheer

Maria Willemina (Marie) Wandscheer

(1856-1936)

Dutch painter 

Portrait by her friend, the painter, early photographer and etcher Willem Witsen (below)

In last posting I mentioned Marie Wandscheer being the painting teacher of Fanny Psicha. What better opportunity (before returning to a new chapter in the Antwerp theme postings) sharing some fine examples of her work. Marie Wandscheer until very recently was a somewhat obscured, neglected and forgotten painter but recently some new attention was brought to her.

1) Jan Voerman Sr.   2), 3) Marie Wandscheer.

After initially painting nudes, which was en-vogue for lady painters in those days, she was persuaded trying at "gingerpots and flowers" by painter Jan Voerman Sr. (1857-1941) whom I showed before on the Blog. Well, here they are, a dozen or so little gems brought together in the Linosaurus.

Marie entered the Rijks Academie in Amsterdam in 1876. Living and working in Amsterdam at first but later she moved with her family and also painting sister to the provincial town of Ede around 1895. 

In Ede she met again her old Amsterdam Academy class mate painter, photographer and etcher Willem Witsen (1860-1923). Witsen returned from his stay in London (1888-1891) and just married, taught her how to use the etching needle. Witsen, mr.painter and etcher also was mentioned before on the Victoria Embankment (link above). I will show more of his atmospheric London prints shortly.

These contrasting last two lovely impresionist flowers in gingerpot could have been among the last Eduard Manet (1823-1883) ever did in this world: see his famous "last flowers" in the Linosaurus here.

See also earlier postings on Manet's legacy by impressionist flower painters Stanley Bielen (here) and Nancy Tips (here).

Amazing: Fanny Psicha

Fanny Psicha

born as 

Maria Adeline Alice Schweistal

(Brussels 1864 - Amsterdam 1950)

Dutch painter and printmaker.

(her portrait, probably by her Academy teacher and friend Marie Wandscheer (1856-1936) who was a close friend of Willem Witsen, one of Netherlands great etchers. Maybe explaining the quality of this only known graphic work by Fanny.

Today, interupting the Antwerp and Verpilleux postings I'ld like to share this remarkable woodblock (25x30 cm) print. The grain of the block is clearly visible and it's monogrammed FP in the block. The perspective and composition is reminding of James MacNeil Whistler's (1834-1903) "Nocturne": Battersea Bridge, Hiroshige, and other Japanese equivalents. 

  L: Whistler        R: unknown 

 Yoshimune Arai 

Discovering the figures and the horse and carriage on the bridge actually being Japanese was an even bigger surprise. The silhouetted figurines resemble Yoshimune Arai (1873-1945)(above) and Shoda Koho (1870-1946), below. Recognizing the Amsterdam Canal and Bridge by an observant reader would be a great help. I don't think Fanny ever visited Japan.

And this Ver-Sacrum example by one Leopold Stilba (R.)

Fanny was accepted 1887 (23) as "Fanny Psicha, born 1866" in the "Rijks Academie voor Beeldende Kunst" in Amsterdam and was a student untill 1892. The year of birth a slight difference with her official date and closer to the date of her mothers marriage in 1867 (see below, maybe for social acceptance reasons.)

Additional examples by Walter Klemm (1883-1857) added Febr.16-2012  

Additional found woodblock by Dutch printmaker Jan Theodoor Giesen (1900-1983)

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Trying finding out more about the artist at first I had very little succes, untill I found these paintings of Dutch interiors signed Fanny Psicha. The one below left, once belonged to Queen Juliana of the Netherlands (1909-2004). The others I found in old auction cataloques. No other examples of prints were found.

Here's some genealogical data which with some difficulty I managed to put together from the internet: 

Fanny's mother Klaartje van Kooten (Antwerp 1842-1914 Amsterdam) was of 100% Amsterdam Jewish descent but like Fanny was also born in Belgium). She married Antoine Psicha (Amsterdam 1837-1911) in 1867. Antoine Psicha's book on the theory of  "the birds eye perspective" was edited posthumously in 1912. I couldn't find any other children and I don't know if Fanny ever married.  

Only a handfull of Psicha family members actually lived in Amsterdam middle of the 19th century. There's a Liverpool merchant and ship owners branch (Georgi), and there are two refugee brorhers from the  Chios Diaspora (the Turkish massacre of the Isle of Chios in 1822). One named Antoine, and perhaps travelling from Chios through Marseille to Amsterdam to related families. The Greek Consul in Amsterdam was named C. Psicha, and had a brother both living in great wealth in Amsterdam. 

To the family name Schweistal I regretfully found nothing at all, neither in Holland nor in Belgium nor anywere else.