Emil
Pottner
(1872 Salzburg – 1942 Treblinka)
born in Austria but considered German painter, ceramics and graphic artist
naturalist and bird behavioral printmaker.
The bridge
to my last posting (budgie feathers) and to Charles' recent posting on ModernPrintmakers (link) discussing Walter Klemm, Carl Thiemann and Emil Orlik (poultry feathers) is in these two porcelain love birds by printmaker Emil Pottner.
Artistically
gifted but from humble Jewish social background (his father was a singer in the Royal
Court Theater in Braunschweig) Emil entered Munich “Akademie der Bildende Künste" in 1891 aged
18 on a scholarship only to become very unhappy and sick with the strong regime
ruling in that Institute.
I think, after all, he
was the real master of poultry printmaking, as good or even better as the above artists and looking
closely he added something special to each and every one of his prints. Maybe he is to be called the
first behavioral naturalist printmaker.
Impoverished
and on his own after disappointedly leaving the Akademie his first and, thank God, successful public show in
the Munich "Künstlerverein” made him to move to
Berlin and allowing him to travel to the Netherlands in 1905 to study the Old Masters.
During the stay in neighbouring Netherlands he discovered Delft, centre of Dutch porcelain
industry, interested as he was in sculpting birds in porcelain.
Returning to Berlin after mastering the technique he developed his skills in
this art further in winter and in summertime becoming one of the truly Great graphic
artists of his time in depicting his love for the Common and the Small.
He needn’t
go far to find, observe, sketch, draw, cut and print what he loved most. Common birds, poultry. And
bird behavior. In all his bird prints always something of the behavior of the
species is shown.
Just common
farm birds, roosters, chicken and hens; geese and swans, ducks, cormorants,
grebes, magpies, herons and crows.
But always fighting, courting, nursing, hunting. His
birds in flight, deceitfully simple prints, are proof of his extraordinary keen and
very accurate observations. Turmoil in the pond, two species of birds and breathtaking rendering and colours in the waters surface. It looks so simple.
His self-portrait
in print showing him the way he choose to depict his birds. In its natural habitat and
doing what the species does most and best. Himself at the edge of a pond or ditch with his pencil and
sketch book. And even in that print he cannot resist showing the white duck stretching its wings. As only a white duck does. The coots running on water, you almost can hear their splashing and cries.
He
published several books illustrated with lithographs and drawings, all of them on
the above subjects.
 |
| Thor (Germanic God) casting his shadow over the world. |
In his
Secession Period and emotional and political coloured work on the outbreak of WWI it is almost as he foresaw the worlds' and his own terrible fate and unavailing death in Treblinka death camp in 1942.
"The Hands
of Destiny intervene in battle with relentless force
The fighter, only shortly before showing his breast
a strong sense of black destination coming over him now.
Fighting back
in despair, there is this feeling, a hunch
This is the
End"
